In which the Hallmark song and the song about a truck are somehow the best selections here.
I’d rather not return to where Thomas Rhett started.
Getting caught with a few recent releases at country radio.
Exploring the notions of being “country again” and both sides of that conversation through three albums.
A weird week that’s saved by my favorite throwback review yet.
Jade Bird returns, Randall King delivers one of his best songs yet, and Thomas Rhett continues to be mediocre.
Center Point Road can’t help but feel like a slight regression back into bad production tactics and clumsy writing for Thomas Rhett.
I wasn’t planning to review this in any capacity, but given that I covered new albums from George Strait and Reba McEntire recently, I might as well come full circle with the ’90s country trifecta. Because this album is mainly just a series of Brooks & Dunn re-recording their biggest hits with the new generation… Continue reading Brooks & Dunn’s ‘Reboot’ Ranked Worst To Best
The short version: While not a disaster like his pre-‘Life Changes’ material, “Look What God Gave Her” nonetheless finds Thomas Rhett beating a long-dead horse. Writers: Thomas Rhett, Julian Bunetta, J Kash, John Henry Ryan Rating: 4/10 The long version: Thomas Rhett’s well isn’t running dry anytime soon as far as commercial relevance is concerned,… Continue reading Song Review: Thomas Rhett – “Look What God Gave Her”
It’s that time of the year again. The list-pocalypse will soon arrive to haunt us all. While I plan on waiting to release my songs and albums lists until Jan. 2019, singles are a bit of a different animal. To be eligible for my “best singles” list, the single had to be released anywhere from… Continue reading The Musical Divide’s Top 20 Singles Of 2018